Literature

Literary Pyrotechnics

Long after midnight the towers and spires of Princeton were visible, with here and there a late-burning light – and suddenly out of the clear darkness the sound of bells. As an endless dream it went on; the spirit of the past brooding over a new generation, the chosen youth from the muddled, unchastened world, still fed romantically on the mistakes of half-forgotten dreams of dead statesmen and poets. Here was a new generation, shouting the old cries, learning the old creeds, through a revery of long days and nights; destined finally to go out into that dirty gray turmoil to follow love and pride; a new generation dedicated more than the last to the fear of poverty and the worship of success; grown up to find all Gods dead, all wars fought, all faiths in man shakes . . .

Amory, sorry for them, was still not sorry for himself – art politics, religion, whatever his medium should be, he knew he was safe now, free from all hysteria – he could accept what was acceptable, roam, grow, rebel, sleep deep through many nights . . .

There was no God in his heart, he knew; his ideas were still in riot; there was ever the pain of memory; the regret for his lost youth – yet the waters of disillusion had left a deposit on his soul, responsibility and a love of life, the faint stirring of old ambitions and unrealized dreams. But – oh, Rosalind! Rosalind! . . .
“It’s all a poor substitute at best, ” he said sadly.
And he could not tell why the struggle was worth while, why he had determined to use to the utmost himself and his heritage from the personalities he had passed…
He stretched out his arms to the crystalline, radiant sky.
“I know myself,” he cried, “but that is all.”

~ F. Scott Fitzgerald, This Side of Paradise (1920)

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